{"id":26014,"date":"2018-10-30T16:48:50","date_gmt":"2018-10-30T14:48:50","guid":{"rendered":"http:\/\/raymond-debieve.fr\/?p=26014"},"modified":"2018-11-01T12:11:59","modified_gmt":"2018-11-01T10:11:59","slug":"dans-les-cartons-3","status":"publish","type":"post","link":"https:\/\/raymond-debieve.fr\/en\/dans-les-cartons-3\/","title":{"rendered":"In the boxes &#8211; 3"},"content":{"rendered":"On November 10, 1968, the radio was on, as it was every day, and his presence filled the workshop.<\/p>\n<p>Radio France&#8217;s voices are sound windows through which the world enters the painter&#8217;s home. You don&#8217;t need moving pictures to see. Especially not.<\/p>\n<p>On the table, the colours are waiting. The easel is in place, the subjects ready to be born.<\/p>\n<p>8:00 am &#8211; The 4 beeps &#8211; The spoken diary: Inter news.<\/p>\n<p>The voices are deep, solemn. These are the hours before the tribute.<\/p>\n<p>Voices like monuments, glory to the generals.<\/p>\n<p>The journalist gets excited, presents the programme of the festivities. It will be beautiful, &#8220;grandiose&#8221;, what is being prepared for tomorrow.<\/p>\n<div id=\"attachment_26011\" style=\"width: 260px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-26011\" class=\"size-wcsmall wp-image-26011\" src=\"http:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18004-250x437.jpg\" alt=\"\" width=\"250\" height=\"437\" srcset=\"https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18004-250x437.jpg 250w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18004-172x300.jpg 172w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18004-586x1024.jpg 586w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18004-550x960.jpg 550w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18004-103x180.jpg 103w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18004-286x500.jpg 286w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18004-43x75.jpg 43w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18004-477x832.jpg 477w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18004.jpg 630w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><p id=\"caption-attachment-26011\" class=\"wp-caption-text\">14-18 &#8211; encre de Chine de Raymond Debi\u00e8ve &#8211; 10\/11\/68<\/p><\/div>\n<p>In the post, we hear the Republican Guard Band greeting the flag as a foretaste offered to attentive listeners.<\/p>\n<p>Without the images, however, the painter&#8217;s fear is there, which swells to the sound of music, frozen, deaf.<\/p>\n<p>A sheet of paper, a brush, black ink.<\/p>\n<p>The colors will wait.<\/p>\n<p>The sounds are moving away.<\/p>\n<p>The brush does not tremble, guided by the images that fill the workshop.<\/p>\n<p>Weight of the war field &#8211; presence of silence.<\/p>\n<p>No celebration at the end of the brush. No medal-winning men. No glorification of the soldier, no glorification of the victorious homeland.<\/p>\n<p>Only a few black lines, placed on the white sheet, and skulls, piles of skulls that clash, that pile up, are gathered in the same terror. They face us, these skulls, &#8220;look at&#8221; us with their empty eyes when the rooster or eagle, the claws well pricked on the heads of the dead soldiers, turn their greedy and icy pupils towards future battles, towards other men to devour.<\/p>\n<p>No hope in these drawings.<\/p>\n<p>No sunshine.<\/p>\n<p>No rain.<\/p>\n<p>No air.<\/p>\n<p>Nothing.<\/p>\n<p>Nothing to glorify on this November 10, 1968.<\/p>\n<div id=\"attachment_26012\" style=\"width: 260px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-26012\" class=\"size-wcsmall wp-image-26012\" src=\"http:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18005-250x437.jpg\" alt=\"\" width=\"250\" height=\"437\" srcset=\"https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18005-250x437.jpg 250w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18005-172x300.jpg 172w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18005-586x1024.jpg 586w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18005-550x960.jpg 550w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18005-103x180.jpg 103w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18005-286x500.jpg 286w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18005-43x75.jpg 43w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18005-477x832.jpg 477w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18005.jpg 630w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><p id=\"caption-attachment-26012\" class=\"wp-caption-text\">14-18 &#8211; encre de Chine de Raymond Debi\u00e8ve &#8211; 10\/11\/68<\/p><\/div>\n<div id=\"attachment_26010\" style=\"width: 260px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-26010\" class=\"size-wcsmall wp-image-26010\" src=\"http:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18003-250x437.jpg\" alt=\"\" width=\"250\" height=\"437\" srcset=\"https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18003-250x437.jpg 250w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18003-172x300.jpg 172w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18003-586x1024.jpg 586w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18003-550x960.jpg 550w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18003-103x180.jpg 103w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18003-286x500.jpg 286w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18003-43x75.jpg 43w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18003-477x832.jpg 477w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18003.jpg 630w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><p id=\"caption-attachment-26010\" class=\"wp-caption-text\">14-18 &#8211; encre de Chine de Raymond Debi\u00e8ve &#8211; 10\/11\/68<\/p><\/div>\n<div id=\"attachment_26009\" style=\"width: 260px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-26009\" class=\"size-wcsmall wp-image-26009\" src=\"http:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18002-250x320.jpg\" alt=\"\" width=\"250\" height=\"320\" srcset=\"https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18002-250x320.jpg 250w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18002-234x300.jpg 234w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18002-768x983.jpg 768w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18002-800x1024.jpg 800w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18002-550x704.jpg 550w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18002-141x180.jpg 141w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18002-390x500.jpg 390w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18002-750x960.jpg 750w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18002-59x75.jpg 59w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18002-520x666.jpg 520w, https:\/\/raymond-debieve.fr\/wp-content\/uploads\/2018\/10\/14-18002.jpg 859w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><p id=\"caption-attachment-26009\" class=\"wp-caption-text\">14-18 &#8211; encre de Chine de Raymond Debi\u00e8ve &#8211; 10\/11\/68<\/p><\/div>","protected":false},"excerpt":{"rendered":"<p>On November 10, 1968, the radio was on, as it was every day, and his presence filled the workshop. Radio France&#8217;s voices are sound windows through which the world enters the painter&#8217;s home. You don&#8217;t need moving pictures to see. Especially not. On the table, the colours are waiting. The easel is in place, the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":26011,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[64],"tags":[216,99,76],"class_list":["post-26014","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualite","tag-encre-de-chine","tag-galerie-raymond-debieve","tag-raymond-debieve"],"_links":{"self":[{"href":"https:\/\/raymond-debieve.fr\/en\/wp-json\/wp\/v2\/posts\/26014","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/raymond-debieve.fr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/raymond-debieve.fr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/raymond-debieve.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/raymond-debieve.fr\/en\/wp-json\/wp\/v2\/comments?post=26014"}],"version-history":[{"count":4,"href":"https:\/\/raymond-debieve.fr\/en\/wp-json\/wp\/v2\/posts\/26014\/revisions"}],"predecessor-version":[{"id":26140,"href":"https:\/\/raymond-debieve.fr\/en\/wp-json\/wp\/v2\/posts\/26014\/revisions\/26140"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/raymond-debieve.fr\/en\/wp-json\/wp\/v2\/media\/26011"}],"wp:attachment":[{"href":"https:\/\/raymond-debieve.fr\/en\/wp-json\/wp\/v2\/media?parent=26014"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/raymond-debieve.fr\/en\/wp-json\/wp\/v2\/categories?post=26014"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/raymond-debieve.fr\/en\/wp-json\/wp\/v2\/tags?post=26014"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}